Rachel Weisz collaborated very closely with the director Terence Davies on The Deep Blue Sea.
Davies and his leading lady have taken the template of Terence Rattigan’s play about Hester Collyer, an unsatisfied wife who finds a man who can fulfil her physical desires, and turned it into a movie about a woman who learns to find the light.
‘Despite the period nature — it’s set in the early Fifties — Rachel wanted it to resonate as a contemporary story,’ said Sean O’Connor, who found the project and co-produced it.
‘It was rare for a woman of Hester’s stature, at that time, to leave her husband and seek a divorce,’ added Kate Ogborn, who also produced the project, which also stars Simon Russell Beale as Hester’s cuckolded husband and Tom Hiddleston as Freddie, the former RAF pilot who can’t love Hester because his head is still stuck in the Battle of Britain. But Freddie can give Hester the sexual passion she craves.
The film stands on its own and doesn’t just replicate Rattigan’s play. It gives us a glimpse of what it is Hester wants. During the picture’s sensual love scene, she stretches across the bed and licks Freddie’s back. It’s not an explicit moment; rather, it’s a delicate one. It’s the first love scene Davies has directed on screen.
The performances are sublime, but what’s also breathtaking is the way he paints a portrait of post-war Britain. The pub sing-alongs remind us of a time when TV talent shows weren’t the national pastime.
And the film also reminds us how exciting it is to see Rachel Weisz dominating the big screen again.
Artificial Eye plans to release The Deep Blue Sea this autumn, and there are rumours that the Venice, Toronto and London film festivals are all keen to unveil it
SOURCE: Daily Mail